Ebook Download The Perfect House: A Journey with Renaissance Master Andrea Palladio, by Witold Rybczynski
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The Perfect House: A Journey with Renaissance Master Andrea Palladio, by Witold Rybczynski
Ebook Download The Perfect House: A Journey with Renaissance Master Andrea Palladio, by Witold Rybczynski
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Review
Ross King author of Brunelleschi's Dome [A] wonderfully informative and evocative guide to both the elegant rooms of Palladio's villas and the fascinating history of how a humble stonemason from Padua became one of the most influential architects of all time.The Philadelphia Inquirer Rybczynski has applied all his usual grace, style, and curiosity to explore an important chapter of domestic history.Los Angeles Times Rybczynski's clear description of what he sees and his lucid explanations of Palladio's ideas and methods enable the reader to see and understand the essence of this architect's accomplishments.The New York Times Evocative, compelling, charming, The Perfect House is the perfect traveling companion.
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About the Author
Witold Rybczynski has written about architecture and urbanism for The New York Times, Time, The Atlantic, and The New Yorker. He is the author of the critically acclaimed book Home and the award-winning A Clearing in the Distance, as well as The Biography of a Building, The Mysteries of the Mall, and Now I Sit Me Down. The recipient of the National Building Museum’s 2007 Vincent Scully Prize, he lives with his wife in Philadelphia, where he is emeritus professor of architecture at the University of Pennsylvania.
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Product details
Paperback: 320 pages
Publisher: Scribner; 1st. edition (September 9, 2003)
Language: English
ISBN-10: 0743205871
ISBN-13: 978-0743205870
Product Dimensions:
5.5 x 0.8 x 8.4 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#363,108 in Books (See Top 100 in Books)
Rybczynski is a down-to-earth writer about his experiences. It is especially informative to get an architect's perspective about how things worked.
Renting a car in the Veneto and following Rybczynski's footsteps to see numerous Palladian villas, first hand---is the perfect way to devour this book. Enjoyed every word and kilometer of the journey when I did it!
Very readable book on the evolution of the designs of Palladio's villas.
I enjoyed the entertaining reading this book. It is entertaining and very easy to ready for an architectural topic.i would recommended for all architects to read.
Excellent condition
I'm sure anything I say about the scholarship of Witold Rybczynski's `The Perfect House' would be superfluous. Mr. Rybczynski has written several books (most of which I've also had the privilege to read) on the history, techniques, and important personages of the architectural trade; he holds a professorship at Penn; he clearly loves his subject matter. I therefore really can't quibble with the fundamental material here; the book is literally stuffed with facts. I did, however, have difficulties with the author's style and structure--which ultimately affected some, though gratefully not all, of his story.To say that Mr. Rybczynski has an eye for detail would be the grossest of understatements. The book's very format--a visit to nearly every Palladio-designed villa still standing in Italy--seems to encourage the author to discourse on every entablature, frieze, and architrave in sight. If you don't immediately recognize these terms--and would be annoyed by constantly referring to the endnotes--Rybczynski nearly compensates by conveying his clear love for these centuries-old designs. Without sounding defensive, he lets the purpose of his journey (see below) unfold.As with his other books on architectural history, the author clearly shows in `The Perfect House' how historical, even ancient work remains relevant to 21st century architecture. Palladio's work fits this pattern well: his residential villas - as opposed to, say, royal palaces or working factories -- ooze domesticity and we can attempt to identify with their inhabitant's daily lives. Keeping with this theme, Rybczynski strains to discover by the last chapter what he hints throughout the book as Palladio's "secret"--why his buildings are so *good* (i.e., livable). I'll leave the review-reader in suspense but can assure you the reason is neither overly technical nor actually much of a secret, architecturally-speaking.If that sounds like a demerit, it's not. This conclusion is actually a great relief from far too many minute spatial descriptions that repeat themselves, villa after portico'd villa. Rybczynski makes every attempt to help the reader *see* what he's seeing in these historic sites, but I ultimately found it a failed exercise. Without the jargon--and the painfully banal personal travel notes ("I munch contentedly, stared outside at the villa ...")--one is left with a well-padded visual journal, full of dimensions and data but far too few images or even straight-ahead descriptive prose.In a self-defeating note - at least relative to his overarching purpose--Rybczynski even quotes Goethe saying "you have to see these buildings with your own eyes to realize how good they are." In a similar vein, a front jacket perp from The New York Times extols it as "... the perfect traveling companion". Ultimately I have to agree with Goethe and The Times: Palladio's villas should be seen, and this book would be a fine traveling resource. Reading it at home was an informative, inspiring, yet visually frustrating experience.
Prof. Rybczynski does it again - elegant prose makes a stylish match with its subject, excellent drawings by the author illustrate and clarify architectural concepts, biographical details enliven the text with elements of human interest. This book presents residential architecture of Palladio, but also it presents Palladio the man, a person with family life, career, accomplishments and setbacks. It does great credit to the author that he does not try to develop this personal area beyond known facts, even if those facts are few; we are spared fanciful conjectures and "educated guesses", and as a result Palladio seems truly human, someone we can understand and relate to in spite of the distance in time and geography.There are ten chapters, dedicated to ten villas. There are a lot of illustrations.Drawings are extremely important, because it is impossible to evaluate a work of visual art without visual aids. We get several plans, always a front view of the villa, sometimes a view in perspective. This device allows even casual reader to trace development of Palladio's ideas and understand various phases of design.Rybczynski is an obvious fan of Palladio and does not try to hide his admiration for the famous colleague. He does stress the fact that many of the villas were just better farmhouses, where such considerations as location of the threshing floor constituted major project guidelines. And it is amazing that anybody would want to endow the center of a working farm, with granaries, barns, dovecotes and farmyards built into the arrangement, with imperial grandeur borrowed from antique Rome. The villas are no doubt remarkable, since it takes tremendous talent to create a building which is at the same time a utilitarian homestead and a grand residence but does not look outright ludicrous. We must remember all the constraints under which Palladio had to work - his clients' unwillingness to spend, their quite mundane needs, aspirations well above the budget - and his own desire to create unusual buildings, resuscitating architecture of imperial Rome. Master Andrea did succeed in infusing ordinary buildings with elegance and dignity. That could be the original appeal of his art - grand architecture taken out of the realm reserved for the popes and kings, and offered to the merchants and lesser members of the ruling class. The villas were a material proof that one needn't be the ruler of a powerful state to afford a stately residence.And perhaps because Palladio was forced to build with basic domestic utility in view, the villas remain habitable till now. Perhaps the classicist style enjoys lasting popularity due to this graceful union of convenience and beauty, made available to practically every prospective house buyer. Would this be the "Palladio's secret" - genuinely royal splendor for everyone? (I don't really buy the argument that the attraction lays in the excessive height of the ceilings. If it did, it would be widely imitated, just like the idea of attaching a Grecian portico to a dwelling. Very high rooms feel cold, inhospitable and out of proportions with human scale. They are suitable for formal spaces, even in a private home - entry hall, library, dining room - but in the bedroom feel outright spooky).I have one complaint: the book could do with more photos than the solitary picture of Villa Chiericati on the back jacket. While the drawings show us the process of creation and ideas entertained by the designer, photography better captures the effect. Anyhow, Rybczynski himself at one point makes the same observation - drawings and photos show different aspects of the subject. But this is the only flaw, otherwise it is an excellent book for anybody with interest in architecture.
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