Free PDF Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting, by William Goldman
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Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting, by William Goldman
Free PDF Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting, by William Goldman
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Review
"[This] is that big, sad, funny, incisive, revelatory, gossipy, perception-forming book about Hollywood that publishers have been promoting for years -- and now the real thing is finally here."―St. Louis Post-Dispatch"A deliciously honest book...Goldman deserves a special Read of the Year award."―The Plain Dealer (Cleavland)
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Product details
Paperback: 608 pages
Publisher: Grand Central Publishing; Reissue edition (March 10, 1989)
Language: English
ISBN-10: 0446391174
ISBN-13: 978-0446391177
Product Dimensions:
5.5 x 1.1 x 8 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
120 customer reviews
Amazon Best Sellers Rank:
#27,123 in Books (See Top 100 in Books)
William Goldman is a screenwriting legend, and for good reason. He has written a number of enduring classics, scripts that hold up even decades later. But the real value of this book lays in his candor. He doesn't mince words. He gives his honest appraisal of his career and Hollywood in general throughout. And from someone who works in an industry that is renowned for being egotistical and self-involved, Goldman's voice is absolutely refreshing. And remarkably, his observations from the film industry of almost 35 years ago are still relevant today. It makes you wonder, does Hollywood ever change? In any event, if you are an aspiring screenwriter or no, Adventures in the Screen Trade will entertain and inspire you. Thanks William Goldman.
Lots of typos, which author even mentions he never reads his work again after he writes it. Maybe not good advice! While overall a great look into making movies and writing movies (which I’ve done as well, so I know a lot about what he says), he has occasional lapses that just aren’t accurate like assuming in 1982 people were sick of Star Wars and over it. Hahahaha couldn’t be further off than that! Or the implication that people who don’t have kids are gay, basically. Maybe that was true 100 years ago I don’t know but many people don’t ever want kids. I found his Hollywood insights great and had no interest in any of his other opinions.
If you love the Princess Bride, you love his work. He wrote the book and the screenplay. Both are excellent, although fewer people have read the book. Seeing how he consolidated the story is fascinating. He cut out the fat and made it a different story. He candidly tells the audience about his mistakes and the times he was fired. He had far from a perfect career, and he's a better man for it.
Good book that reflects Goldman's experience as a screenwriter. The book is padded though with material that isn't really needed. Presently the book is out of date and reflects a context that has changed in Hollywood and the films of this age.I did learn that you had to be very politic to be a successful screenwriter. I'm sure this is still a skill that screenwriters must have in spades.
This book is written with a warm, personal and conversational style that makes you forgot you are reading. It offers the priceless opportunity to spend many hours one-on-one with a great writer, whose list of screen and literary credits is long and without match.His screen credits span almost five deceased, starting with Masquerade (with Michael Relph; 1965), Harper (1966), Butch Cassidy and the Sundance Kid (1969; Academy Award), The Hot Rock (1972), The Stepford Wives (1975), The Great Waldo Pepper (1975), Marathon Man (1976) - based on his novel, All the President's Men (1976; Academy Award), A Bridge Too Far (1977), Magic (1978; Edgar Award) - based on his novel, Heat (1986) - based on his novel, The Princess Bride (1987) - based on his novel, Twins (1988; uncredited), Misery (1990), A Few Good Men (1992; consultant), Memoirs of an Invisible Man (1992), Year of the Comet (1992), Chaplin (1992), Indecent Proposal (1993; uncredited), Last Action Hero (1993; uncredited), Malice (1993; consultant), Maverick (1994),Dolores Claiborne (1995; consultant), The Chamber (1996) - based on the novel by John Grisham, Extreme Measures (1996; consultant), The Ghost and the Darkness (1996), Good Will Hunting (1997; consultant), Absolute Power (1997), The General's Daughter (1999), Hearts in Atlantis (2001), Dreamcatcher (2003), Wild Card (2014) - based on his novel.In this book, Goldman tells us how his life and craft took him on a lifelong adventure in the creative world of novels and films (and much more!). And he tells it like it is (or was) with grande modesty, cutting humor, and cynical yet heartfelt sincerity -- and without reservations.I would recommend this book not only to those who love novels and movies, but also to anyone interested in biographies of people who accomplished incredible achievements in their chosen trade while overcoming modest beginnings, economic hardships, personal weaknesses, vicious naysayers, and outright impassable barriers on the path to an unlikely yet breathtaking success.This is a wonderful book about an incredible life in the real world of make belief. Highly recommended!Avraham Azrieli writes books and screenplays.
This is not a text book, but it should be required reading for anyone who wants a career in the motion picture industry - or anyone who loves film in general. Why is it not a textbook? Because it is one heck of an entertaining read. The book runs almost six-hundred pages and I devoured it in just a couple of days.William Goldman is one of most respected screenwriters alive; he knows as much about it as anyone. What he gives us is a picture of Hollywood (the business and who does what), the art of writing a screenplay, the process of working on a film, and his own personal anecdotes. One of the chief pleasures of the book is how cheerfully gossipy it is. "PART ONE: HOLLYWOOD REALITIES" is full of stories of the excesses of Hollywood that people out there consider normal. A lot of the time he doesn't supply names, but sometimes he does. (Dustin Hoffman, while a brilliant actor, is notorious for being a bit eccentric.) He also gives us an idea of how the studio works and how pictures get made.The last third of the book will primarily interest serious film students. Goldman includes his entire script for Butch Cassidy and the Sundance Kid, and uses it as a teaching tool. Then he presents a short story he wrote and uses that as a teaching tool regarding adapting previously written material.This book was written in 1982 and reading it is a stroll down memory lane. That was a dark time in motion picture history. Most of the films he references from that period have been forgotten. In other words, it is just like today. We need to read this book again more than ever.
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